Lanzarote Centres of Art, Culture & Tourism

Lanzarote Centres of Art, Culture and Tourism

View at Mirador del Rio, Lanzarote. Photo by Nick HaslamThere are 7 centres of Art, Culture and Tourism on the island of Lanzarote, forming a major part of the island’s tourist attractions. The most famous son of the island, César Manrique, played an important part in the conception of most of the Centres, combining elements of Lanzarote’s natural landscape with his unique and forward thinking ecological, environmental and artistic design vision.

It was as if Manrique took Lanzarote as a canvas to create a vibrant blend of the manmade and natural, his modern design harmonising with the traditional architecture and colours of the island and its extraordinary desert landscape.

Set in outstanding locations the Centres reflect the artist’s passion for the beauty of his island, and his concern that its natural beauty and traditions should be preserved. In the north, opened to the public in 1973, the Mirador del Rio was created in the site of an old coastal defence battery.

The spectacular lookout, which is practically invisible from outside, is set into the top of the high cliffs of Famara, and from its curving terraces there are breathtaking views over the narrow strait of El Rio to the island of La Graciosa and the Chinijo archipelago. The cliffs here drop sheer for 500 metres down to the sea, and the contoured viewing points seem to overhang the empty void. Paragliders frequently swoop along the cliffs, waving to the spectators in the Mirador as they fly past.

On the north eastern coast, the Cueva de Los Verdes, set in an ancient lava tube formed by molten lava flowing down to the sea, is a 1 kilometre long walk through the extraordinary convoluted passageways formed by the molten magma. The artist Jesús Soto lit the natural corridors, some of which are more than fifty metres high, so that the wide and vivid colour range of the rock forms are brilliantly illuminated. Above, on the vaulted roof, the smooth surface is covered with what looks like mini stalactites but which are in fact solidified splashes of lava thrown up as the molten boiling rock surged through the tunnel. The curving walk follows two sections of the tunnel which run one above the other, with hidden pools and still small lakes, whose smooth surface mirrors the rock formations above. Used as a place of refuge in the past when the island was frequently raided by slavers, parts of the tube today are used by scientists to monitor the volcanic activity of the area.

Jameos del Agua, Lanzarote. Photo by Nick HaslamJust south of the Cueva de los Verdes, The Jameos del Agua was the first centre of Art, Culture and Tourism created by César Manrique, in 1977. Set in a continuation of the same lava tube, the centre is an extraordinary blend of the manmade and natural with two chambers connected by an intact section of tunnel.

The entrances are through two Jameos – the natural openings caused when the lava tube tunnel roof collapsed - and lead into a huge covered space, where a clear pool of water is home to the endemic blind albino crab, barely a centimetre long, which is unique to the island. Beyond, a pool of azure blue water and exuberant garden of cacti, fig and palm trees and flowers, lies open to the sky under the next Jameo.

This leads again into the flowing contours of the lava tube, where a large natural auditorium, which can seat 600 hundred spectators, is a regular venue for concerts and theatre performances. There is a bar, a restaurant, and even a dance floor within the centre. As well as this, during dinner time, a folklore group plays traditional music from Lanzarote.

Towards the centre of the island the Jardín de Cactus has a spectacular collection of cacti set in an old quarry of black volcanic rock which, like all Manrique’s creations, seems to blend seamlessly into the natural landscape.

Windmill at Jardin de Cactis, Lanzarote. Photo by Lanzarote Tourist Board Here more than 1,700 species of cacti are planted in terraces which follow the contours of the hill. In a touch which is typical of Manrique, every turn offers new views, vistas and surprises, and inside the café, an elegant spiral staircase climbs around a glass sculpture formed of glass balls and steel branches which replicate the towering cacti outside.

Above, an old windmill stands stark and white against the blue sky and the black rocks of the old quarry.


Tila Braddock
Antonio Martin Cabreras, manager of the Cactus garden
"When you think of what Manrique did for the island – in creating the Centres of Art, Culture and Tourism - it was such forward thinking for his time."


The Museo Internacional de Arte Contemporaneo de San José (MIAC) is set in the old fortress of San José overlooking the port in Arrecife. The 18th century building was carefully adapted by César Manrique and forms an unusual art gallery, the vaulted chambers and gun ports overlooking the harbour making a remarkably effective exhibition space. Both figurative and abstract paintings and sculptures by international artists as well as those from the Canaries are on display, including works by Manrique himself. The centre has an excellent restaurant, overlooking the harbour which serves both Canarian and international cuisine.

Fecundidad statue by Manrique, Lanzarote. Photo by Nick HaslamIn the centre of the island the Casa-Museo Al Campesino sits at an important crossroad in the town of Mozaga where major roads to the four quarters of the island intersect.

Designed by César Manrique its architectural style and the buildings surrounding a wide courtyard contain many references to the island’s distinct and traditional building style.

Presided over by a large free standing sculpture called Fecundidad created by Manrique, the collection of white and green buildings house workshops - from pottery to weaving and woodwork - where skilled artisans and artists both produce and sell their wares.

Beneath the main building, in a surprisingly large open space formed by an ancient volcanic gas bubble which burst through the surface millennia before, a large restaurant provides cuisine typical of the island, from papas arrugadas con mojo - the wrinkled potatoes and sauce which are a Lanzarote staple - to various fish and meat dishes.

El Diablo restaurant, Lanzarote. Photo by Lanzarote Tourist BoardOn the south western end of the island, the El Diablo restaurant overlooking the Montañas del Fuego in the heart of the Timanfaya National Park has a breathtaking location at the top of the volcano called Islote de Hilario.

Here, César Manrique designed a glass walled restaurant which has stunning views over the tortured volcanic landscape, left after eruptions on the island nearly three centuries ago. The rocks just metres below the surface have a temperature of 400 degrees.

The restaurant’s kitchen use this natural heat to grill meat and to cook sweet potatoes for guests in the spectacular dining room. Special coach tours from the centre take visitors along the Ruta de los Volcanes through the heart of the National Park and below, at the visitors centre which was also designed by Manrique just outside the park. Excellent displays and videos explain the complex geology and natural history of the volcanoes and their vital role in the island’s history.

Find out more about César Manrique and Jameos del Agua, or culture in Lanzarote
Responsible Travel would like to thank the Lanzarote tourist board for their sponsorship of this guide
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